Nature appears to the viewer of this painting in the shape of some enormous, implacable, and dumb beast, or, to put it more correctly, much more correctly, strange though it is—in the shape of some huge machine of the most modern construction, which has senselessly seized, crushed, and swallowed up, blankly and unfeelingly, a great and priceless being—such a being as by himself was worth the whole of nature and all its laws, the whole earth, which was perhaps created solely for the appearance of this being alone! The painting seems precisely to express this notion of a dark, insolent, and senselessly eternal power, to which everything is subjected, and it is conveyed to you involuntarily.
— Fyodor Dostoyevsky, Richard Pevear (Translator), Larissa Volokhonsky (Translator), The Idiot